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"The only reason for being a professional writer is that you just can't help it." Salman Rushdie Agent Advice; or, My Best Guess Do you have some agent questions? I wish I had easy answers for you, but here’s the best I can figure. "Do I need an agent to get published?" No, certainly not. Is it easier? Most certainly. An agent (that is, a good agent*) knows major editors, lives in New York City and has lunch with them, knows who’s looking for what kinds of stuff, can submit to multiple publishers at once, can phone or email them directly to ask how the read is going, has knowledge of publishing houses you might not have heard of… In addition, an editor might be more likely to take a submission from an agent seriously than one from the slush pile because someone in the know (the agent) has already read it and recommended it. "If it’s such an advantage to have an agent, then why doesn’t everyone have one?" Maybe because it’s not easy to find representation. Many agents already represent as many authors as they can handle, most receive an appalling number of query letters every week and can’t possibly agree to look at all those manuscripts (mss). It’s a financial risk for an agent to take on a new writer, as first books rarely make an agent any money, and they invest a great deal of time as well as money (making copies, Fed Ex, etc.) to find you a publisher. It’s HARD. And you have much sympathy from me in the frustrations of your search. For an excellent example of someone who was unagented and published from the slush pile, see Linda Sue Park's personal experience. "Do you have an agent?" Yes, I do. It’s possible that the goose girl might have been published without one, but even with an agent, it was turned down nine times. On my own, I would’ve been submitting to fantasy publishers for an adult audience, but my agent identified my book as being firmly in the young adult camp and went that route. I asked my editor at Bloomsbury if she would’ve bought my book from the slush pile and she said yes, but on my own I don’t know if I ever would have thought to send it to Bloomsbury. Without my agent, I might still be looking for an adult fantasy publisher. "How do I go about finding an agent?" You query an agent.
"How do I write a query letter?" There are lots of books that can tell you better than I, and I highly recommend you take time to research and write it. But here are a few tips that might help.
"How do I write a compelling plot synopsis?" Boy, if you figure it out, let me know. Some people have a knack for elucidating their story in a way that you get a sense of it, not just the plot but the feel and tone of it. Others (me) struggle. Definitely keep it to one page or you’ll just annoy the agent. There are books out there on writing the book synopsis, too. "What will make an agent more likely to want to represent me?" Put yourself in her shoes. Imagine you can only pay the rent when your clients are making money. First books make very little money, so their agents make 15% of very little money. Which novice writer would you be more willing to take a risk on? (hint: there’s really only one correct answer on this one, folks) Person A: "I just got out of college and had some free time over the summer and I thought, Hey, I’ll write a book! It was pretty fun, and I think it turned out great. Do you want to read it?" Person B: "My wife and I like to tell stories to our kids at night and we decided to write one of them down. Our kids love it and so does my sister, who has an English degree and really good taste." Person C: "I have published two short stories in small literary journals, but my real passion is young adult historical fiction. I am a great fan of Katherine Paterson, Kimberly Heuston (who I know you represent), and Richard Paul Curtis. I am currently writing a sequel to my novel Flimflam Girls and am researching ancient Jakarta as the setting of a future novel." Key point: Agents are interested in representing professional writers. Wouldn’t you be, too? "Can I talk to/meet/solicit your agent?" There’s nothing stopping you! His name and address are on my website. But know that everyone I've recommended to my agent or editor was turned down. Don't put all your eggs in the same basket, and all that. *Check out the excellent information at sfwa.org, Writer Beware. In fact, I'd recommend not taking any steps toward finding or accepting an agent until you have. Return to On Writing |